One spring day nearly twenty years ago, I found myself in front of a class of bored eighth grade students, scrambling for whatever key I could turn to ignite their imaginations. I had walked into their school that morning with the assumption that I could easily run this class—that I could quickly engage these kids and get them thinking about their home landscapes: the places nearby that they considered special, and how those places affected their lives. Ha!
Early that morning I had slung a backpack full of papers and books into my car for the hour-drive from our home on Roanoke Island, over two bridges and three islands, past fields of rolling dunes and glimpses of blue-green surf, to the Cape Hatteras School, grades K through 12. I was teaching in the school that week through a visiting writers’ program sponsored by the state of North Carolina.
Normally I loved this kind of assignment. It gave me a chance to connect with young people—to spark a little creativity even in students to whom the idea of creative thought seemed utterly foreign. But for the previous few years I’d been teaching workshops with college students and adults. I was (I realized belatedly) badly out of practice working with students this young.
The assignment I’d given them had always worked well in the past: Write a few paragraphs about your favorite place in the world. Maybe it’s somewhere you can comfortably be alone. Or maybe it’s where you hang out with friends. What’s special about that particular place? How does it make you feel? I stood in front of the class trying to hide my deer-in-the-headlights surprise that my request was falling so flat.
I changed tacks and asked the students how many of them planned to leave Hatteras Island after high school. Twelve hands shot into the air. “I don’t know where I’m going,” one boy volunteered, “but it’s outta here!”